At the end of the wedding water glass, the bride's mother prepares to make a short speech followed by a toast. However, the speech becomes a come to terms with the people who have passed through heris life.
Ana Saragoça was born in Viana do Alentejo, attended the Faculdade de Letras de Lisboa and graduated as an actress by the Escola Superior de Teatro e Cinema. She is a published author, odos os Dias são Meus (2012) and Quando Fores Mãe Vais Ver (2013). She wrote, for theater A Mãe da Noiva (in micro-play version) (2012), Não Sou eu, És Tu (2012) and Sem Rede (2013). Now, she picked up the text A Mãe da Noiva, micro-play version, and wrote a long theater version. A Mãe da Noiva, whose premiere is scheduled for March 1, making it the 19th stage production of Buzico! Produções Artísticas with João Ascenso as director.
In addition to author of the text A Mãe da Noiva, Ana Saragossa is also the interpreter of this play. Her career as an actress in theater went through companies such as Teatro da Corucópia, Teatro Ibérico, Teatro da Graça, Teatro Infantil de Lisboa, among other companies. In cinema, she participated in the films Mausolée Pour une Garce and Volpone, and in the short film Como Se Fosse a Última. In television, participated like invited actress in several series and telenovelas, the last of which Ouro Verde (2016/2017).
The comedy A Mãe da Noiva, is a reflection on the many issues currently facing middle-aged women, who are no longer, as before, late in life, but ready to live a second youth, free constraints and inhibitions.
The purpose of this crowdfounding campaign is to support copyright payment, staging, show trials, lighting design, set design, graphic design and promotional materials and campaigns, as well as the age rating of the show, representation.
About the author
Buzico! Produções Artísticas has existed since 2011, it is a structure of human and logistic means that conceives, produces and promotes cultural shows. Since its foundation, Buzico! Produções Artísticas, has produced and co-produced 18 shows, among which are: Hamlet da Silva, by Miguel Morrillo, with staging by Eduardo Condorcet and performances by Alexandra Saragento, Augusto Portela, Catarina Matos and Marco Costa; Broadway Baby - The History of the American Musical, by and with Henry Feist; Esta Vida É Uma Cantiga, a musical performance in honor of Henrique Feist and Vítor Pavão dos Santos, with Henrique Feist, Vanessa, FF, Anita Guerreiro and Simone de Oliveira; Quatro Metades, based on 4 short stories by Mia Couto, with staging by Renato Godinho and Iolanda Laranjeiro; A Cantora Careca, by Eugène Ionesco, a collective staging, with interptions by Alexandra Sargento, Andresa Soares, Fernando Rodrigues, João Cabral, João Gualdino and Sofia Brito; A Noite do Choro Pequeno, authorship and staging of João Ascenso and interpretations of Alexandra Sargento and Sofia Nicholson; Um Ano Sem Ti, by and director of João Ascenso and interpretations of Isabel Guerreiro, Pedro Barroso, Raquel Rocha Vieira and Ricardo Lérias; Variações, de António, by and director Vicente Alves do Ó and interpretation by Sérgio Praia; A Passagem das Horas, by Fernando Pessoa | Álvaro de Campos, with staging and interpretation by Nelson Cabral; and more recently, Céu, by Xavier Pereira, director João Ascenso and interpretations by Ana Lúcia Magalhães, Catarina Mago, Catarina Siqueira, Laura Barbosa and Mikaela Lupo.
Budget and due dates
We have used the PPL and a crowdfunding campaign for two reasons: first, because contributions can be from €1,00, anonymously or not; second, because Buzico! Produções Artíticas is not a structure with financial support from the state or private and as we have as motto: to give stage to their passions, artists, we do not want to defraud the expectations of those who entrust us their projects.
If we can achieve our target € 1.800,00, this value will be used to support the payment of the following items: rights, staging, actors' rehearsals, lighting design, set design, music, graphic design and promotion materials, age rating of the show, representation licenses and promotion campaigns.
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